The world in black and white - a jewelry designer point of view

Lately, I find myself attracted more and more to black and white.

Moonlight and a palm tree in our garden, photographed by Amy Kanka Valadarsky 

Months ago, when writing the post on silver jewelry, I wrote about the specific characteristic of silver that allows to turn its color to black.
I found a few pieces that demonstrated this beautifully......but did not really use this in my work.
I started spending more and more time looking for ways to emphasize the shape and texture of my pieces.
And not surprisingly, the more I worked on this, the less color I used.

Our bedroom window. The drape is almost transparent.
The beautiful shadows almost invisible ... unless shown
in black and white.
Photographed by Amy Kanka Valadarsky

Color has a way of demanding attention to itself. And rightfully so, since it can be sooooo beautiful - but this comes at a price. It steals attention from the more subtle aspects, the ones that do not shout, they only whisper...

In parallel to my jewelry work, I started to photograph.
Not just my jewelry pieces, but really start using the camera to get another angle of the world.

Unlike working on a piece of jewelry, that can take days to complete, in our digital era, 'creating' a photo takes seconds.

Results are immediate, there is no real cost of making a mistake ( ...most of the time).

So here I am, camera in hand, finding myself photographing light. Trying to capture the essence of places, of people. And slowly.....moving from color photos....to black and white.

My beloved adopted granddaughter, Alma. Look at the beauty of her eye-lashes.
The delicacy of a single strand of hair on her forehead.
Nothing, including the pink dress distracts you from seeing it - in a black and white photo.
Photographed by Amy Kanka Valadarsky

There is nothing like black and white to emphasize light and shades, the purity of a contour, to make us look, really look at the picture without being hijacked to the 'ah....what a beautiful sunset'.

My stepdaughter, Ayelet.
Would you notice the freckles if you would have the sunset colors in the background?
Photographed this one evening on the beach

 Sterling silver pendant

Back to my jewelry workbench - molding a dry cactus leaf into necklaces.

Realizing for the thousand's time how nature is the best artist of all.

How can I show these artful veins to their best advantage? You guessed right.

Black and white.

Working with silver, oxidizing it to a pitch black shade, then polishing it to reveal the shiny silver color on the upper part of the veins - and here it is.

Another version of the cactus leaf pendant
Immediately grabbed by my dear husband :)

Nature's art -
I'm just there to make it wearable.

Did I mention I am falling in love with black and white????
How about you?

Until next post,
Have a wonderful time

Amy

When art talks - the language of texture

A Sterling Silver necklace by AKVjewelry 

A soft bathrobe, a rough stone, a vintage filigree brooch, a Van Gogh painting - 

what do they have in common?

Texture. 

It sets the mood, invokes memories and feelings - in a subtle, almost unconscious way.

Texture, as a language, a way of communicating – picked my interest when I started to experiment with molten metal and the wonderful texture it creates.

Since then, I started noticing the crucial role texture plays in communicating messages in the world of art.

Irises, by Van Gogh

Take for example my beloved Van Gogh.

A few weeks ago, at the Los Angeles Getty Center, I was able to stand as close as it gets without actually touching - to some of his wonderful paintings.

Look at texture of this painting and the energy it projects – it speaks volumes of the stormy feelings inside the painter.

It almost feels like Van Gogh was compelled to paint it - it was his way to manage internal storms.

Is it a wonder he painted so much - sometimes a painting a day?

Another corner of this wonderful painting. Just look at the earth.
It lives and breathes

Can you imagine how different his paintings would be in watercolors?

Keep the colors, even use the same brushstrokes – just take away the texture.

In Van Gogh's case, I think, texture acts in a similar way to body language. It reveals so much about his inner world.

The other time I was amazed by how expressive texture can be, was when I visited the Accademia museum in Florence Italy.

The corridor in the Accademia museum 

Tenths of people, standing in line to get into the museum and see one of the most famous sculptures in the world -  David by Michelangelo. 

David stands at the end of a small gallery – demanding your attention from the minute you walk in.

But despite its beauty, what caught my attention were 4 unfinished sculptures – the slaves.

'The awakening'

Commissioned by Pope Julius as part of a majestic tomb he was planning for himself - plans which ironically - were changed by his ...death.

'Atlas'

Michelangelo never finished the slave sculptures.

You can see the powerful body, the taught muscles, the huge calf or shoulder - but the body is trapped in the stone.

Rough, heavy, immovable stone. 

You can FEEL the slaves are trying to break away, but are imprisoned in stone, held by everlasting marble chains.

While I am sure these sculptures would have been magnificent if finished – I think the sense of being trapped into a situation you cannot escape from – could never be as powerfully conveyed as it is today by these unfinished masterpieces.

To me, the use of texture in art and jewelry making in particular - unveiled a new and fascinating language.

The first time I consciously used texture in my jewelry making, was in my branches collection, where I leveraged the reticulation technique to create abstract winter pictures of tree branches and snow.

A necklace from my 'Winter Branches' collection
https://www.etsy.com/il-en/listing/150817225/square-silver-pendant-necklace?ref=listing-shop-header-3

Lately, started to play with different ways of using texture as means to convey a natural, worn, stand the test of time kind of feeling.

Learning the alphabet of textures, and starting to spell my own words.

Form kept simple, colors provided by purple plant and rain.
Texture takes center stage

As always, glad to hear your comments and thoughts –

.....wishing you a great end to 2013, and a wonderful 2014 :)

Amy